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Digital technologies are both a problem and a solution for climate change. Data-intensive sensing and modelling efforts are essential to knowing much of what we know about global warming, digital networks offer greener alternatives to carbon-laden travel, and smart grids and IoT technologies look to be increasingly necessary to the work of creating more efficient and decentralised energy systems. At the same time, the tech sector’s emissions have grown considerably, now comparable to those of global aviation, while land use conflicts, data privacy issues, harmful global supply chains, and toxic e-waste follow the proliferation of ever more data centres and devices. It’s clear that an effective and equitable path through the mitigation challenges ahead can neither afford to reject digital technologies, nor uncritically embrace them.
At this juncture, media artists and arts institutions are uniquely positioned to act. In both negotiating technocratic reporting requirements and tabling more equitable and politically capacious responses to the problems and opportunities of digital media and carbon emissions, the arts can act as a testing ground and source of aesthetic and relational provocations for wider questions of climate justice.
This workshop gathers stakeholders in the arts sector to evaluate the challenges and opportunities they face at the conjuncture of digital technologies and environmental justice. Participants will propose, review, and debate different proposals for climate action in their sector, mapping the political and material impacts of digital decarbonisation strategies on workers, communities, institutions, and the climate. Discussions will culminate in the drafting of a set of consensus statements that diagnose the intersecting problems at hand and propose clear directions for stakeholders going forward.
The Networked Condition: Environmental Impacts of Digital Cultural Production is an ongoing exploration of the often-hidden environmental impact of the creation and delivery of artworks using digital technology. This research-led project is a collaboration between Abandon Normal Devices, Arts Catalyst and Fast Familiar as part of The Accelerator Programme (led by Julie’s Bicycle and Arts Council England). Conversations with artists, researchers and organisations has resulted in a series of case studies mapping aspects of and approaches to the creation, manufacture, distribution and disposal involved in digital cultural production. These case studies provide a window into various creative practices which critically engage with the social, ethical and environmental implications of these processes and cycles — as well as the vast and often invisible infrastructures of which they are a part. This research sits alongside practical tools including a digital carbon calculator, developed to help artists and producers working in the fields of digital art and creative media to better understand the carbon footprint of the generation and distribution of their artworks.
Abandon Normal Devices (AND) is a nomadic commissioner and born-digital producer unafraid to enter new territories and broker new partnerships.
Arts Catalyst is a visual arts organisation based in Sheffield, UK. We activate people to think differently about the world around them.
Fast Familiar create audience-centric theatre that is part art & part social experiment. Powered by neuroscience, technology + good coffee.